Citations

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Anzaldúa, Gloria and Keating, Ana Louise. 2015. Light in the Dark = Luz En Lo Oscuro : Rewriting Identity Spirituality Reality. Durham North Carolina: Duke University Press. Personal Kindle Edition

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Buschkühle, Carl-Peter. 2020. Joseph Beuys and the artistic education : theory and practice of an artistic art education. Leiden, The Netherlands ; Boston: Brill Sense. https://ebookcentral.proquest.com/lib/Curtin/reader.action?docID=6154370

Borland, E. 2023. “Standpoint theory.” Encyclopedia Britannica. https://www.britannica.com/topic/standpoint-theory.

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Kent, Mike, Katie Ellis, and Matt Giles. 2018. “Students with Disabilities and eLearning in Australia: Experiences of Accessibility and Disclosure at Curtin University.” TechTrends 62 (6) (11): 654-663. doi:https://doi.org/10.1007/s11528-018-0337-y. https://www.proquest.com/scholarly-journals/students-with-disabilities-elearning-australia/docview/2112952914/se-2

Ellis, K., T. Pitman, T., Kent, M., V. Mancini, and L. McRae. 2021. “Mainstreaming accessible digital technologies in higher education: a human rights approach to disability inclusion.” In Activating Cultural and Social Change, 227-240: Routledge. https://www.tandfonline.com/doi/full/10.1080/10304312.2014.907874

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Mackay, Robin. 2015. The Medium of Contingency. MIT Press. https://www.urbanomic.com/wp-content/uploads/2015/03/MoC-Intro-redactions.pdf

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Pohl, Rebecca. 2018. An analysis of Donna Haraways A Cyborg Manifesto: science, technology, and socialist-feminism in the late twentieth century. London: Macat International.

Quin, Timur Si. 2017. Aesthetics of Contingency : Materialism, Evolution, Art. PCA-Stream. https://www.pca-stream.com/en/articles/timur-si-qin-aesthetics-of-contingency-materialism-evolution-art-108

Reeve, Donna. 2012. Disability and Social Theory: New Developments and Directions. Cyborgs, Cripples and iCrip-reflections on the contribution of Haraway to Disability Studies., Palgrave Macmillan UK. ProQuest Ebook Central, https://ebookcentral.proquest.com/lib/curtin/detail.action?docID=931694.

Ross, J.I. (Ed.). 2016. Routledge Handbook of Graffiti and Street Art (1st ed.). The psychology behind graffiti involvement. 119-129. Routledge. https://doi.org/10.4324/9781315761664

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Solomon, Miriam. 2009. “Standpoint and Creativity.” Hypatia 24, no. 4: 226–37. http://www.jstor.org/stable/20618193.

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Verspaget, C. J. 2016. Unruly Bodies: Monstrous Reading of Biotechnology (PhD thesis, Western Australia, Curtin University, 2016). Western Australia: Curtin University. Retrieved from https://espace.curtin.edu.au/bitstream/handle/20.500.11937/1994/240083_Verspaget%202016%20partial.pdf?isAllowed=y&sequence=2

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Wolfe, Cary. 2020. The Biopolitical Drama of Joseph Beuys. New Literary History 51 (4) (Autumn): 835-854. https://www.proquest.com/scholarly-journals/biopolitical-drama-joseph-beuys/docview/2494379881/se-2.

Wolfe, Cary. 2021. Art and Posthumanism (Art After Nature) (p. 86). University of Minnesota Press. Personal Kindle Edition.

Woodward, S. H. , Jamison, A. L. , Gala, S. , Lawlor, C. , Villasenor, D. , Tamayo, G. & Puckett, M. 2021. Tracking Positive and Negative Affect in PTSD Inpatients During a Service Dog Intervention. Journal of Consulting and Clinical Psychology, 89 (6), 551-562. https://oce.ovid.com/article/00004730-202106000-00006/HTML